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Messages - cob

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226
This will help in predicting market price/cap.

Very cool. Thanks BTER!

227
Muse/SoundDAC / Re: BitShares Music non-technical paper. Updated.
« on: October 03, 2014, 03:33:22 am »
So the DAC will allow flexibility is amount of artistcoins issued, and the % of income going to artist and artistcoin holders.

Is that necessary? Why not just have all of the income go to the artistcoin holders and have the artist decide the percentage they get by holding on to the appropriate percentage of the artistcoin? So an artist can issue an artistcoin with some supply, keep 50% for themselves, sell the other 50% on the open market. Now when the income from the music sales buys the artistcoin, the artist should get 50% of the effective dividends from the buyback. To realize these gains as BitUSD, they simply sell the appropriate amount of artistcoins on the exchange (they sell only enough to maintain 50% ownership of the new reduced supply of artistcoins). Maybe they can even get away with paying long-term capital gains taxes on some of their earnings instead of income taxes if they can hold off selling some of the artistcoins for over a year (I don't really know for sure, I am not a tax attorney).


I second that. The knowledge that the artists will actually receive their income through the same artistic coins that the investors are buying will lead to much more interest by investors/sponsors and much higher price, than if they buy some artistcoin that will be producing some unclear returns and the artists' interest how big such returns are is pretty uncertain (and even potentially opposite if % of music sales goes to artistcoins' holders and the rest to him/her).

Well the artist will have some of his own coin as well.

So far, when a song sells for say 1BitUSD.
0.8 bitUSD could go to the artist's wallet paying him in a liquid form. Without him having to liquidate anything.
say 0.05BitUSD was the fee
And 0.15 BitUSD goes to the buy back mechanism.

I know you understand this already.
Now the thing to realize is that the artist might have kept say, 50% of the artistcoins. So he still has a stake in it's value.

As an analogy, we can look at the artist profile as a company.

You have income = 1 BitUSD
You then have 2 expenses
1. the 0.05 BitUSD in fees (service/network/bandwidth)
2. The artists salary 0.80 BitUSD

The "company" is left with 0.15 BitUSD of PROFIT

This profit is what is distributed to the "shareholders" (Artistcoin holders).

Now in a company, say Apple, Steve jobs has a CEO salary. A liquid form of weekly spendable income. But he also held shares in the company, incentivizing him to make the shares worth more and more.

This is the approach we are taking SO FAR.

I do like the simplicity of having 100% going to the coin, and nothing as an artist salary. I can see some band's cashing out and selling off all their coins accidently. There is no Undo button for that. The band basically just gave up 100% of stake in their own profile "company".

To introduce the non-trader world to this tech, we are taking baby steps. User experience first. That can change over time when people WANT to go into the "advanced settings"

228
Muse/SoundDAC / Re: BitShares Music non-technical paper. Updated.
« on: October 03, 2014, 03:20:15 am »

Is that necessary? Why not just have all of the income go to the artistcoin holders and have the artist decide the percentage they get by holding on to the appropriate percentage of the artistcoin? So an artist can issue an artistcoin with some supply, keep 50% for themselves, sell the other 50% on the open market. Now when the income from the music sales buys the artistcoin, the artist should get 50% of the effective dividends from the buyback. To realize these gains as BitUSD, they simply sell the appropriate amount of artistcoins on the exchange (they sell only enough to maintain 50% ownership of the new reduced supply of artistcoins). Maybe they can even get away with paying long-term capital gains taxes on some of their earnings instead of income taxes if they can hold off selling some of the artistcoins for over a year (I don't really know for sure, I am not a tax attorney).
We thought of that too. One thing we want to avoid is for artists to have to do anything manually. Artists and bands are solicited by a hundred different music websites that'll do X or Y for them. Having to learn the intricate details of each can be a big deal. We wanted a way for an artist to just put up his music, set his price, sell his coin. Go away! and collect BitUSD.

What you suggest is excellent in my opinion, but we might at first launch it with the pre determined split. Without the artist having to sell off some coins to cash out.


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By the way, you make a clear distinction between PeerTracks and the BitShares Music DAC, which is great. But I don't understand the mechanics of how the BitUSD to pay for the music and buy the artistcoin works. The whitepaper is not clear on this. The only reason people are paying money for the music download is because PeerTracks is providing the download in exchange for the money. Does the DAC itself provide a mechanism to set song prices and keep track of payments and license rights of those songs on the blockchain, which then PeerTracks monitors and gives the payer the download? Or does the music buyer pay the BitUSD to PeerTracks in exchange for the music download which PeerTracks then uses to buy up the appropriate artistcoin and pay the artist? If PeerTracks really is just a frontend to the DAC, shouldn't that mean that an artist should in theory be able to use the DAC (with other open source clients) to sell music to their fans directly without PeerTracks involved at all (even though this obviously will not be as convenient as using the PeerTracks interface)?
Good question Arhag. PeerTracks holds no funds.. ever. The blockchain takes care of everything. CUE THE MUSIC!  "Can't be stopped, can't be touched, can't be..."
sorry.
back now
When BOB sends 0.99 BitUSD to Britney Spears' Oops I did it again wallet, PeerTracks see that on the blockchain and allows BOB's PeerTracks account to download Oops_I_did_it_again.mp3 from the peertracks server.

So peertracks never handles any funds. We just see that BOB the user that has an account with PeerTracks paid Britney and we let him take the file. PeerTracks should have made up the cost of the bandwidth by the transaction fees (whether the Notes PeerTracks will hold will be enough to repay the bandwidth costs, we don't know yet. If it's not enough then a fee will be charged for that)

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Are you increasing the fixed fee of BitUSD transfers for music purchases or is there a percentage fee as well? If you are able to distinguish between a regular BitUSD transfer between addresses and a music purchase with BitUSD (which I assume you have to be able to do in order to use a percentage of the BitUSD for music purchases to buy the appropriate artistcoins), then you have a lot of flexibility in how you charge fees. Keep fixed fee transfers of Notes, BitAssets, and user-issued assets (artistcoins) low just like BitShares X, but then add a small percentage fee (maybe 2%?) in addition to the tiny fixed transaction fee on music purchase transactions.

Once BitSharesX is done and is relatively "final". Then we will see just how much flexibility we have with this. For now, I can't answer since we are still unsure ourselves. Once BitSharesX is done and settled, we will have a better idea of what we can work with to charge a fee for song sales.

229
You had me at Buffet

230
General Discussion / BitShares Music PTS snapshot date.
« on: September 30, 2014, 03:47:14 am »
The BitShares Music DAC

Make sure you have your PTS out of the exchanges and into your wallets by october 10th 2014 at midnight.
So the first second of October 10th 2014 is when the snapshot will be taken.

This is GMT (Greenwich Mean Time) time zone, or UTC (Coordinated Universal Time) we are talking about here.

Keep in mind the BitShares PTS confirmation time is pretty slow and random. So don't wait until the last second to act or your PTS might not have been included in a block in time for the snapshot.

As for the NOTE allocation at Genesis block:
35% PTS
35% AGS
20% upcoming pre-sale
10% BitShares Music Foundation

Keep in mind delegates will be able to dilute the Note supply if Note holders vote for it. The details are being workout out by bytemaster in this thread: https://bitsharestalk.org/index.php?topic=9452.0
They might not have to dilute and BitShares Music will most likely have a cap on the amount of dilution possible but just so you are aware ahead of time, this allocation is for genesis block.

Edit: to clarify. AGS is also getting a stake in the music DAC of course. Only no action is required by AGS holders since the AGS donation campaign ended already. They cannot be sold, nor purchased.

(This post is just for people that have not checked out the music forum. Please debate delegate pay / dilution in it's respective thread.)

232
Muse/SoundDAC / Re: Best MUSIC DAC launch model for 2014?
« on: September 29, 2014, 11:44:07 pm »
So I guess the PTS/AGS snapshot will be INDEPENDENT of the presale? you launch the presale AFTER the snapshot?

Snapshot is Oct 10th. Pre-sale will be later than that. Need time to market it and hype it up OUTSIDE of the BitShares world. Let's get some outside capital in here.

My initial thoughts are:

1. I don't feel that we are so much in a crypto booming. Especially with bitcoin price dropping from the beginning of the year
Price is irrelevant. VCs and angel investors are looking for start ups with potential to put in their capital.

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2. What happens if BTC drops in price much faster than notes? You will spend very fast all the bitcoins for future development and not raise so much money. Consider also the possibility that not many people learn or invest on the IPO so with few bitcoins, few people earn more shares and dilute PTS-AGS shareholders. This will create a bad image for the PTS and raise questions for their purpose in acquiring in advance shares for future DACs. I have already seen a lot of new members asking why to invest in PTS now and not wait when the DAC is launched.
Nothing is stopping the Foundation for hedging it's funds. If it want's to sell off EVERYTHING it has for fiat, it can. The pre-sale will be done in Bitcoin, but nothing is stopping it from selling some off for Euros, canadian dollars, DOGE lol

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3. You do give the opportunity to new people to participate through PTS. I don't understand why you think that an IPO will be different and will bring more members in our community. The same persons that are likely to invest through IPO might as well invest by buying PTS and keep them for the next DACs.
People spending their money on PTS raises exactly ZERO dollars for the Music project. So why bring it up? Your goal is to own a DAC that has wealth behind it no?

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4. Definitely agree imposing a cap to the dilution from the delegates in order to avoid selling pressure.
Yes and let's see what Bytemaster comes up with in his other thread.

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5. Isn't the 10% of the Foundation sufficient for the development of the DAC especially if it is to be worth billions?
Please re-read the original post.
Summary:
-The foundation has zero dollars.
-at launch, it will have notes
-it will need to DUMP THEM ALL to fund development, marketing, partnerships, etc.
-Price crashes
-people sell off
-New people not interested
-people will park their wealth elsewhere
-everyone gets aids (seriously re-read the first post)


Now the next step is to mentally accept the 'Music Foundation' is not getting any free share allocations. (i.e. no 10% reserved share). Getting the hard cash should be good enough. ( if you want some Notes, feel free to buy some in the IPO)
You are saying that when a company goes public it should not be allowed to retain any stock?
The funds people sent them to develop the product should be used to buy up stock in order to have a say/votes in the project?

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The 3rd step is to accept bitUSD (in addition to BTC) - the positives are numerous let's name a few:
- Hedge against possible (likely in my mind) BTC price movement;
- Support for the whole Bitshares eco-system (which your Music DAC is a part of now, and we all hope grown part of it);
If it can be implemented simply. But I remember Toast telling me we would not be ready for this yet. Will have to bring it up again.
While this would be great, we shouldn't forget that we are still using test wallets, not a final product.
I think this would create a great barrier for new investors.
Ah yes! That was the main reason why (:


Do you have expenses that require both 10% to the foundation and then another 20%? Basically you're saying the foundation should get 30% up front?
Do we have expenses!? haha hmm yes.
And I don't understand where you are getting that 30% from. The foundation gets 10%. The 20% is going to whoever buys the publicly available Notes in the pre-sale. They are never in control of the foundation. Genesis block means 35% to PTS, 35% to AGS and 20% to Pre-sale. Foundation gets 10%.

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Also the whole presale thing seems like a completely unnecessary ritual. If you just say 30% goes to the foundation then you can just sell that. I think the presale idea is bad.
I think you also missed something in the original post. Of course we can dump Notes at launch. The point of this thread is that it's not a good idea to crash the price of a baby blockchain when instead you can just spend bitcoin to fund devs and marketing and lawyers.


New investors can just buy PTS if they want to get shares prior to launching.
Once again, how does buying PTS off of an exchange pay for a DAC exactly?

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I don't understand why you think that an IPO raising bicoins will attract new people.
I speak from personal experience. I know many people that bought into Ethereum and maidsafe that where previously NOT fans. The IPO got them interested "hmmm am I missing out if I don't read up on this project?"

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New people will get attracted by buying PTS in advance as long as this is well communicated to them.
Which helps no one except the PTS seller, whoever that may be.


The IPO is pointless. If they just pre-allocate 30% to themselves it's the exact same effect. Once the shares hit the exchange they can sell off some of it.

So the question is why did they originally offer 45/45/10 and now they want to do 35/35/30?

There is no way that is seriously still "the question" not if you've read the first post of this thread.


If people wanted to get in then what was AGS/PTS for? What about those people?

So now AGS/PTS has to compete with some presale operation? I can see the point that presales can generate hype but AGS/PTS already generated hype. Tell them to buy AGS/PTS.

Dilution is barely acceptable but I don't see any benefit to this idea. What exactly does it gain?

Ah! I see where the confusion may lie.
You seem to think there is a link between third party developers and PTS/AGS.
PTS and AGS were a way to donate to invictus innovations, now called BitShares. Whatever money was sent to them was to make a bitshares toolkit.
BitShares is not launching ANY products. They are merely developers writing software for corporations to launch.
Corporations can use their software under 1 condition and 1 condition only. You allocate 10% of whatever you launch to PTS holders and 10% to AGS. No other strings attached.
Somehow you seem to think Cédric Cobban and Eddie Corral received funds from AGS or PTS.

Let's do an exercise in empathy everyone. Say tomorrow you decide to launch a DAC. *close your eyes and imagine friends!*
You have a cool idea and decide to go forward with it. Good for you! What's your first step? Are you a lawyer? Can you code everything yourself? CAn you market it yourself? hmmm I know. I pay people with mad skills to do what I can't!
First stop, the bank. How much do I have in the bank?

*ok open your eyes now*

How many of you had over 200 000 USD in their bank accounts?

OK. start problem solving (:

I think more then a few of you will think up "Oh! what if I have a pre-sale!"

233
Muse/SoundDAC / Re: Best MUSIC DAC launch model for 2014?
« on: September 29, 2014, 08:05:52 pm »
If we go for a pre-sale. It will be an AGS style one only shorter. 30 to 60 days yes.

Will it be day-by-day allocation? (exactly the same as AGS) Or the allocation will be calculated based on the whole period? (Like viacoin presale)
Auction a day. Pure AGS style!

234
Muse/SoundDAC / Re: Best MUSIC DAC launch model for 2014?
« on: September 29, 2014, 08:00:39 pm »
If we go for a pre-sale. It will be a Bitcoin only AGS style one. Only shorter, 30 to 60 days yes.

235
Muse/SoundDAC / Best MUSIC DAC launch model for 2014?
« on: September 29, 2014, 07:01:23 pm »
The announcement made 15 hours ago got very positive feedback from most. The few that had criticisms brought up excellent points which made me think about it from different angles. What was not considered is the time we are living in. I believe there is a way to make the Music DAC better suited to the present which will consequently make it much MUCH more valuable down the line.

The model that was described in in yesterday's post https://bitsharestalk.org/index.php?topic=9459.0 is a great model for avoiding regulatory problems and launching a DAC without significant funds backing up the founders. Just use the toolkit, launch, and then dilute as you go to pay for expenses.

This method comes at a cost though. No up front capital.
This means as soon as the DAC launches and price discovery of it's shares happens, the founders must start diluting the share supply and/or selling shares on the open market. So as soon as a baby DAC is born and needs an influx of people coming in and supporting it (cuz iz goin' to da mooonnn ,etc...) is when the value of it's shares go down and down.
People unaware of the workings of this DAC's model will think it's a crap coin. People that ARE aware of the workings of the DAC would still most likely sell justifying it like so: "a lot of dilution is going to happen without seeing any results for the first few months. I will sell and park my wealth elsewhere until I get news that they are about to launch a working product".
This can mean the entire project can grind to a halt. For the founders to generate enough capital to develop, they will need to sell massive amounts of almost worthless shares, dropping the price even lower, requiring even more dilution, meaning the PTS and AGS holders will be left with tiny slivers of what used to be a nice large slice of pie. This downward share price spiral all stems from the fact that the founders have no initial funds. The never got a first round of funding, they went straight to what should have been a second round of funding technique!

Another small disadvantage is the lack of a crowd-funding hype. Storj and ethereum got massive exposure from their pre-sales. It brought many new users to their communities.


We all know what the dot com bubble was. "You have an idea and a website? Shut up and take my money!"
The crypto space is in a similar boom and we will have another year or two of angel an VC funds coming in no doubt. The BitShares community should take advantage of this. The model proposed yesterday is great for when the capital dries up and VCs/Angel investors move on to a new sphere. That model is perfect for launching a DAC without start up funds.
BitShares Music on the other hand is launching in 2014. Meaning it should take advantage of the hype and publicity a pre-sale can bring. It should use the upfront capital to pay for big corporate attorney fees and regulations and all that fun stuff. We are in the age of the start up war chest. Let's not switch to a model best suited for times of austerity just yet!

We should capitalize on the fact that the crypto world is booming.
We should capitalize on the hype a pre-sale can bring.
We should welcome and introduce a whole new demographics to the world of BitShares and our DACs.
We should also avoid the risk of using new features (unlimited dilution) that can change the entire nature of a very important DAC.


Here is the revised model I would suggest we use.

We allocate 35% to PTS, 35% to AGS, 10% to the Foundation and 20% to a pre-sale.

This means we have a pre-sale, our DAC gets tons in funding in BTC, we get publicity and exposure, we get new members to our community, etc.

Now when we launch the DAC, we don't need to sell off any Notes(Music DAC Shares) until we run out of Bitcoin. This means the Notes on the exchanges don't spiral down in price. People that are ignorant of the DAC's workings will hold on to or buy Notes. People that know of the DACs working WILL keep their wealth parked within the BitShares ecosystem since they know we are not going to dump a ton of freshly minted Notes on the exchanges, collapsing the price and diluting their %. We will merely spend bitcoins during the most crucial time of the DACs existence, it's first few months.

This is a hybrid model, so I am not saying we drop yesterday's concept entirely, no! I'm saying we have a hybrid model. Delegates could dilute, but there would be a cap and it would be no where near as inflationary and potentially problem causing as before. BitShares Music will be billion dollar DAC, it's a bit risky IMO (and Arhag's! and Frodo's!) to test out the infinite dilution model on it. Although dilution is an EXCELLENT tool for a second or third round of funding, especially since it can be decentralized and done by the delegates rather than the foundation.



To compare both scenarios.

Suggested model:
PTS/AGS holders own 70% of a DAC that has Millions in it's coffers for making the product and value of their shares go higher and higher. They also have the capability to have multiple decentralized rounds of funding by voting for delegates that have a LIMITED capability to dilute. As Stan said: The one-two punch! (Pre-sale + dilution option)

Yesterday's model:
PTS/AGS holders own 90% of a DAC that is broke and must dilute and possibly cause a downward share price spiral while shrinking their percentage of ownership.


Suggested Model:
Create hype, get publicity and new members to the community.

Yesterday's model:
Once the chain launches, people that are already on the exchanges can buy the Notes sold just as anyone else would buy any other altcoin.


Suggested Model:
Capitalize on the time we are living through. We ARE in a crypto boom. Let's use this capital to change the world. We will be able to afford the lawyers + compliances. The capital is there, just waiting for a worthy project to fund.

Yesterday's model: Awesome model for removing the barriers to entry needed to start a business. No regulations or capital needed. Great to bring DACs to the entire world, no matter what the economy is like.



Discuss.


236
I like using dilution to fund these important expenses (development, marketing, legal, etc.), but I really dislike bytemaster's solution to this.

This new version, which will be spearheaded and tested by BitShares Music, will allow delegates to make more than just the transaction fees, they will be able to do additional rounds of funding, as long as the shareholders agree and vote for it.

As long as they vote for it indirectly. I've discussed my concerns with this method here. I think dilution is a big deal that we shouldn't just allow to happen because a delegate was voted up to top 101 ranks. This should be a decision that I believe requires majority shareholder consensus. Also, I don't like that the delegates get to decide how to distribute the funds. I think it is best to keep the role of the delegates as minimal as possible: just what is necessary to keep the network running, votes updated, and generally maintaining consensus in the blockchain. We should just vote for delegates that we trust enough to keep the network operating and to not collude to break the consensus, do double-spends, etc. Even trusting them with price feeds is pushing the limit but is acceptable for now. I believe everything else, particularly deciding how to use funds for the betterment of the DAC and ecosystem, should be delegated to other entities (decided through proposals that are ratified by shareholder vote) who are specialized to handle that role.

So, I would like to see the ability for the shareholders to vote directly on proposals and require majority consensus anytime we change the rules of how quickly the money supply can be inflated (or even if we want to print a lump sum of stake to cover unexpected expenses, e.g. legal costs). Other proposals, such as how and who to distribute this printed money to, could be changed with less than majority consensus if desired in order to avoid gridlock on quickly making important decisions.

I agree 100% with this. I really don't have the feeling that this system is ready and it could put the whole Music DAC at risk.
I outlined my position in more detail https://bitsharestalk.org/index.php?topic=9452.msg122943#msg122943
A system like this needs a lot more discussion before it is ready for use in "the wild".

I hear your concerns. I will start a new discussion on another proposed way to do it which I think would be best for everyone involved in the DAC. Let me start typing! gimme an few minutes (:

237
Regulation-Proof, Self-Funding DACs
In the last year, we have seen a myriad of new coins, projects and businesses use countless different methods to launch their product and raise capital. In the beginning, coins were all mined, and this gave no advantage to the person or organisation launching it. In no time, we saw the idea of pre-mining a coin before launch, which also came with much criticism and endless debates about “fairness” and what the sweet spot was between: funding the developers and pure money grab. When Proof of Stake came along, we saw a more IPO style distribution that allowed the devs to receive funds in exchange for issuing out shares of the new coin/project/DAC. We saw the AGS “auction a day for 200 days” donation type of crowdfunding. We also saw ethereum’s pre-sale model where you were simply purchasing the fuel required to run a decentralized application whenever it was set to launch. Each method is an attempt at maximizing the funds received while issuing out shares as fairly as possible all while avoiding potential problems down the line (mainly regulatory).

But this is new territory. The crypto world is operating in a grey zone as far as regulations go. Regulatory uncertainty is the name of the game. To make things more complicated still, most of these projects are instantly global. As if dealing with your own local, provincial/state and federal government wasn’t enough, you now have to deal with the governments of each individual internet user (as exemplified by the NYDFS’s proposed BitLicense). Entrepreneurs and developers must navigate the still uncertain regulations of local and foreign governments. This is a huge barrier to entry to new projects. The fees associated with legal counsel and regulatory compliance can be mind boggling. And once paid for still do not guarantee anything! Regulations can change on a whim.

A new approach
Delegated Proof Of Stake (DPOS), the consensus mechanism behind BitSharesX, allows for a new approach. One that is much safer, cheaper, simpler and way more democratic than anything that came before it. Regulation-Proof, Self-Funding, Decentralized, Autonomous Companies (RPSFDACs just flows off the tongue doesn’t it?). Required is only a slight tweak to the current BitSharesX software. That tweak, which has already been implemented in the BitShares Toolkit by none other than Daniel Larimer, is to allow the 101 Delegates to set arbitrary pay rates. Delegates in BitSharesX make their income from transaction fees only. This new version, which will be spearheaded and tested by BitShares Music, will allow delegates to make more than just the transaction fees, they will be able to do additional rounds of funding, as long as the shareholders agree and vote for it. In other words, as many companies already do in the real world, delegates will be able to raise capital to fuel growth by diluting shareholder percentages while growing the value of each individual share.

The walkthrough: Launching BitShares Music
The BitShares Music blockchain is to be launched with almost identical code as BItSharesX with the exception of the delegate’s ability to set a pay that is higher than the transaction fees. Any other modifications to the blockchain (that will turn it into a music specific DAC) can be done after it has launched.
The shares of the music DAC (called Notes) will be issued out with 45% going to BitShares PTS holders, 45% going to BitShares AGS holders and 10% going to the BitShares Music Foundation. The Notes in control of the foundation are to be used to fund development of the core of the BitShares Music ecosystem. It will handle all things that are necessary but unpopular or considered boring. Note holders then vote for delegates that will, through Note dilution, fund high profile additional work that the community understands and demands. Whatever they thinks would grow the value of the BitShares Music network faster than the salaries would dilute it. Whenever either the Foundation or the delegates have an expense that cannot be paid for in Notes, they simply do like everyone else, and sell from one of the popular exchanges to claim their bitcoin or fiat.

The problems solved
One of the best reasons, from an entrepreneurial standpoint, to do it this way are regulations. With this method, there is no crowdfunding. No one is asking money in exchange for something in the future. The BitShares Music Foundation is simply taking the toolkit and launching a DAC. People download the client for free and can start using it immediately. If you happen to be a PTS or AGS holder, you can import your private keys, as you probably did with BitSharesX, to claim your extra Notes. All in all, the BitShares Music Foundation merely launched a piece of P2P software. It never asked anyone for money. If ever it needs to raise capital, it can inflate the note supply and sell some notes on an exchange. Same with the delegates.

This method of skipping the pre-sale/fundraiser avoids expensive attorney fees, setting up of a trust fund, setting up a non-profit corporation, etc. It saves an immense amount of time and money which can both be placed where it counts: getting the actual product out, rather than burning it all navigating the dangerous waters of global regulations.

Aside from the regulatory benefits of not asking for money first and promising to deliver something later is that it turns this into a “pay as you go” or “pay as you prove yourself” model. BitShares Music (or anyone else using this model) is not raising 10 million dollars up front, storing it (risk of theft here!), and then trying to spend the money accordingly, all while hoping it is enough to get the product to market. The Foundation simply launches the blockchain and sells off Notes whenever there is an expense it needs to cover. If it (or the delegates) must inflate to do so, as long as the Note holders/voters agree to it, it will be done.

Another problem solved by the dilution model of DPOS is that the founders are no longer required to know the future, an impossible feat in itself, even harder in the Bitcoin world! If the percentage of shares kept by the founders ended up being too low to cover all costs, the project could lose steam and die off. If the percentage at launch were too high, the result could be a non-decentralized blockchain which could initially mean less supporters/investors to the project. It could also mean there would be a central point of failure to that project. In all cases, there would be a big risk of forking the chain.
Not only is the BitShares Music Foundation not sitting on a large sum of money collected in advance from the Bitcoin community, but in the event of an unforeseen cost, it can (with the agreement of the Noteholders) set up another round of funding to cover it.
With this model, power gradually gets more and more decentralized. Every time dilution occurs is because there is an expense to be paid that would increase the value of the network down the line. When that expense is paid for in Notes, it means Notes are distributed from the Foundation or the Delegates, to the new recipient. When an expense is paid for in any other form (USD, Bitcoin, Euro) those newly “minted” notes are sold on an exchange to whoever is on the bid side of the trade.
In both cases, everyone, including anyone considered a whale sees their overall percentage of ownership of the DAC go down slightly. Everyone’s piece of the pie shrinks slightly to make room for the new Noteholder that is to bring value to that pie through whatever work he was just paid to do. Percentage goes down, but the value of each share should go up. In every case, the noteholder should end up benefiting from this new better, faster, stronger network.
At first, as with all start ups, power will be in the hands of the entrepreneurs building the business. It is to be expected that the BitShares Music Foundation have a big role in what is being developed at first. But the more expenses are paid, the more Notes are spread around. Remember, with BitShares, sending shares also means sending voting power.
As the DAC matures, dilution will be less and less necessary, until it becomes a thing of the past. Noteholders will simply stop voting for the delegates that have an inflationary policy and maybe even reverse the trend and vote for delegates that will burn 90% of their pay from transaction fees. The point is the Noteholders will decide which direction they want the DAC to go.

And finally a bonus benefit of this strategy is that no one except the already experienced PTS and AGS holders will need to import their private keys into the client. In the pre-sale models where people send funds in advance, there has to be some way to identify and give the correct people their respective shares. This can be a huge hassle and barrier to adoption, especially for those that kept their funds in an exchange during snapshots.

So to sum up the benefits of this new strategy:
Avoids costs of regulations and future risk associated with having a multiple jurisdiction, grey zone “IPO”
Pay as you go. No need to get all funds up front
No need to know the future!
No central point of failure (no big pool of money managed by a single entity)
Power rests in the hands of the shareholders
Gradual and steady decentralization of power
New Notes are used to grow the value of the chain faster than dilution can shrink it
Dilution stops once it is no longer needed. The process can even be reversed
No need to teach new adopters how to import private keys

DACs are getting even easier to launch
All in all, I think the BitShares core team really hit the nail on the head with this one. Although they will tell you that corporations issuing new stock and diluting the total amount of shares to pay for expenses is nothing new, they have taken a proven financial concept and tied it into the new DAC ecosystem. This is yet again lowering the barrier to entry and opening up the gates to the free market even wider. Regulation-proof, self-funding, decentralized, autonomous companies are going to be nearly unstoppable. A bright future is upon us.



On this same Topic, Bytemaster just posted this today:
https://bitsharestalk.org/index.php?topic=9452.0;topicseen

238
Muse/SoundDAC / Re: Ask me anything: BitShares Music and PeerTracks.
« on: September 29, 2014, 03:58:42 am »
Yes! OK OK!

I will post it unedited then!  You guys can help me edit :P

239
Muse/SoundDAC / Re: Ask me anything: BitShares Music and PeerTracks.
« on: September 28, 2014, 09:21:21 pm »
Before midnight EST.

So.... 6 and half hours ^^

240
For those that have not visited the Music subforum, follow the yellow brick link:

https://bitsharestalk.org/index.php?topic=9360.0
Can we expect a distribution to be published today?

Before midnight EST!

On the Music subforum

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